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-[National Libary of the Netherlands: Roll the tape – recovering ’90s data tapes in BitCurator](http://openpreservation.org/blog/2019/01/31/roll-the-tape-recovering-90s-data-tapes-in-bitcurator/)
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-[NYPL ami-specifications](https://github.com/nypl/ami-specifications): A repository for NYPL's digital asset technical specifications (audio, moving image, and more).
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-[NYPL media-ingest workflow](https://nypl.github.io/repo-docs/media-ingest.html): Workflow for NYPL media ingest process.
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-[PBCore Audiovisual Tricks](http://pbcore.org/2018/11/28/pbcore-audiovisual-tricks.html): Scripts for PBCore-based preservation workflows.
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-[PBCore Audiovisual Tricks](https://pbcore.org/2018/11/28/pbcore-audiovisual-tricks.html): Scripts for PBCore-based preservation workflows.
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-[Personal Digital Archiving Day Kit](http://www.digitalpreservation.gov/personalarchiving/padKit/index.html): Robust documentation around organizing and hosting a Personal Archiving Day, including A/V resources.
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-[UCLA Metadata Quality Control Workflow](https://www.library.ucla.edu/sites/default/files/Guidelines_MetadataQualityControl.pdf): (PDF)
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-[UCLA International Digital Ephemera Project (IDEP) Toolkit](https://uclalibrary.github.io/ideptoolkit/): A super slick, multi-lingual guide to various audiovisual digitization workflows. Particular strengths include: DV, lacquer discs, and 1/4" open reel.
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-[University of Michigan ICPSR](http://www.icpsr.umich.edu/icpsrweb/content/datamanagement/preservation/index.html): "This guide describes digital preservation practices at ICPSR, the primary objective of which is to ensure long-term access to the more than 500,000 files in our collection."
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-[University of Michigan ICPSR](https://www.icpsr.umich.edu/icpsrweb/content/datamanagement/preservation/index.html): "This guide describes digital preservation practices at ICPSR, the primary objective of which is to ensure long-term access to the more than 500,000 files in our collection."
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-[University of Washington Media Center](https://github.com/pugetsoundandvision/information/blob/master/UWMC/Open%20Reel%20(Reel%20to%20Reel)%20Tape%20Digitization%20Guide.md): Step by step documentation of open-reel audio digitization workflow in place at the University of Washington Libraries Media Center.
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-[VideoPreservation Website](http://videopreservation.conservation-us.org/): Site to encourage the preservation of historic video using the mature technology of digital capture.
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-[VideoPreservation Website](https://videopreservation.conservation-us.org/): Site to encourage the preservation of historic video using the mature technology of digital capture.
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-[Washington State University Center for Digital Scholarship and Curation (WSU-CDSC)](https://github.com/WSU-CDSC/Documentation): Documentation for digital workflows, with helpful entries on DV transfer and NDSA Levels of Digital Preservation Surveys.
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-[WGBH PBS NewsHour Digitization Project Update: Ingest and Digital Preservation Workflows](https://americanarchivepb.wordpress.com/2017/04/12/pbs-newshour-digitization-project-update-ingest-and-digital-preservation-workflows/): Blog post detailing digitization, ingest, and QC workflow from WGBH.
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-[York University Preservation Documentation](https://github.com/yorkulibraries/preservation_documentation): Version controlled draft versions of York University Libraries' digital preservation policy and documentation.
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## Transfer stations and digitization labs
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-[Brooklyn Public Library Info Commons](http://www.bklynlibrary.org/conversion)
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-[DC Public Library Memory Lab](http://libguides.dclibrary.org/memorylab): How to transfer formats (specific to their setup but applicable elsewhere).
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-[Brooklyn Public Library Info Commons](https://www.bklynlibrary.org/digital-conversion)
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-[DC Public Library Memory Lab](https://libguides.dclibrary.org/memorylab): How to transfer formats (specific to their setup but applicable elsewhere).
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-[Indiana University Scholar Commons Digitization Lab](https://libraries.indiana.edu/scholars-commons-digitization-lab)
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-[Kalamazoo Public Library The Hub](http://www.kpl.gov/hub/)
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-[Moving Image Preservation of Puget Sound (MiPoPs)](http://www.mipops.org/)
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-[Moving Image Preservation of Puget Sound (MiPoPs)](https://www.mipops.org/)
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-[On Personal Archiving Labs](https://samabrams.wordpress.com/2016/07/28/on-personal-archiving-labs/): Blog post by Sam Abrams on setting up a personal archiving lab for Madison Public Library.
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-[UW Media Arcade](http://guides.lib.uw.edu/c.php?g=342258&p=2300599): A digital A/V makerspace that supports media creation, preservation and use.
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-[University of Wisconsin-Madison RADD](http://radd.dsalo.info/index.php/category/how-tos/) How-to guides to digitization.
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-[University of Wisconsin-Madison RADD](https://radd.dsalo.info/index.php/category/how-tos/) How-to guides to digitization.
-[analog-inspection](https://github.com/amiaopensource/analog-inspection): List of analog media inspection templates/forms.
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-[audio-digitization-toolkit](https://github.com/todrobbins/audio-digitization-toolkit): A list of resources for setting up an audio digitization workflow.
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-[avpres-training](http://training.ashleyblewer.com/): Educational slidedecks on various audiovisual preservation topics by Ashley Blewer.
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-[avpres-training](https://training.ashleyblewer.com/): Educational slidedecks on various audiovisual preservation topics by Ashley Blewer.
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-[A/V Artifact Atlas](https://bavc.github.io/avaa/): For use in the identification and definition of the technical issues and anomalies that can afflict audio and video signals.
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-[Building Audio, Video, and Data-Rescue Kits](https://radd.dsalo.info/wp-content/uploads/2017/10/BuildDocumentation.pdf): Guide for building portable kits for audio and video (A/V) and digital data rescue. From Dorothea Salo/iSchool at University of Wisconsin-Madison.
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-[cable-bible](https://github.com/amiaopensource/cable-bible): A guide to cables and connectors used for audiovisual tech.
-[Community Owned digital Preservation Tool Registry (z)](http://coptr.digipres.org/Main_Page): COPTR describes tools useful for long term digital preservation and acts primarily as a finding and evaluation tool to help practitioners find the tools they need to preserve digital data.
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-[DMIA: Digital Moving Image Archives](https://sites.google.com/site/dmiaguide/): A guide designed for independent filmmakers to provide basic information about preserving digital data and to encourage collaboration with moving image archives.
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-[Digital POWRR Tool Grid 2.0](http://www.digipres.org/tools/ubergrid/): An ubergrid of tools useful in digital preservation, and their role in the preservation lifecycle.
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-[Know Your Carrier](http://www.knowyourcarrier.com/): An easy to use website that enables A/V format identification through a progression of prompts and images. It also includes information about preservation and digitization with a public facing writing style. Created by [VIAA](https://viaa.be/en), it is available in both English and Dutch.
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-[Digital POWRR Tool Grid 2.0](https://www.digipres.org/tools/ubergrid/): An ubergrid of tools useful in digital preservation, and their role in the preservation lifecycle.
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-[Know Your Carrier](https://www.knowyourcarrier.com/): An easy to use website that enables A/V format identification through a progression of prompts and images. It also includes information about preservation and digitization with a public facing writing style. Created by [VIAA](https://viaa.be/en), it is available in both English and Dutch.
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-[Libraries Sharing Code](https://wiki.code4lib.org/Libraries_Sharing_Code): Wiki list of libraries sharing their code on GitHub or on other open repositories.
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- Living Will for Home Movies: [GoogleDocs version](https://docs.google.com/document/d/1wrtQ9Q_s61D2ybc89mZCvGlt9ihqjfFeKhWlAXfZmVU/edit?usp=sharing) and [Home Movie Day blog post](https://snowdenbecker.com/2017/09/25/home-movie-day-2017/) with links to additional editable/fillable formats. This is "a series of editable documents that allow home movie owners/creators document their collections and provide provenance, ownership, and stewardship information." From Snowden Becker (2017)
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-[Matters in Media Art Assessment Workstation](http://mattersinmediaart.org/assessing-time-based-media-art.html#workstation)
-[No Time To Wait! Symposium #3](https://mediaarea.net/MediaConch/notimetowait3.html): Conference website.
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-[The Patch Bay Blog](https://patchbay.tech/): All-around awesome resource from Ethan Gates of Cable Bible fame. Particularly useful entries on BagIt and upgrading Mac video digitization stations.
-[Sustainable Heritage Network](http://sustainableheritagenetwork.org/): Collection of workflows, instructional resources and guides with a particular focus on aiding indigenous communities with preserving their cultural heritage. Created by the Center for Digital Scholarship and Curation at Washington State University.
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-[UW Audio Preservation and Restoration Guide](http://guides.lib.uw.edu/research/AudioPreservation): Large aggregation of Audio resources with descriptions.
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-[Sustainable Heritage Network](https://sustainableheritagenetwork.org/): Collection of workflows, instructional resources and guides with a particular focus on aiding indigenous communities with preserving their cultural heritage. Created by the Center for Digital Scholarship and Curation at Washington State University.
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-[UW Audio Preservation and Restoration Guide](https://guides.lib.uw.edu/research/AudioPreservation): Large aggregation of Audio resources with descriptions.
-[ffmprovisr](https://github.com/amiaopensource/ffmprovisr): Repository of useful FFmpeg command lines for archivists!
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-[IFIscripts](https://github.com/kieranjol/IFIscripts): Scripts for video/DCP/image sequences/fixity for use in the IFI Irish Film Archive.
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-[National Library of New Zealand (NLNZ)](https://github.com/NLNZDigitalPreservation): Scripts for generating METS records, Rosetta-compliant SIPs, etc.
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-[New York Times video microservices](http://open.blogs.nytimes.com/2016/11/01/using-microservices-to-encode-and-publish-videos-at-the-new-york-times/): Documentation and links to services scripts.
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-[New York Times video microservices](https://open.blogs.nytimes.com/2016/11/01/using-microservices-to-encode-and-publish-videos-at-the-new-york-times/): Documentation and links to services scripts.
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-[NYPL ami-tools](https://github.com/nypl/ami-tools): Python3 scripts and classes to help with managing bags of NYPL AMI files.
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-[Puget Sound and Vision Audio Scripts](https://github.com/pugetsoundandvision/audiotools): Bash scripts/documentation used at University of Washington for moving from a digitized WAV file to a package including BWF, TIFFs and derivatives.
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-[Rockefeller Archive Center Transfer Workflow](https://github.com/RockefellerArchiveCenter/transfer_workflow): Digital media inventory and transfer workflow documentation.
-[AEO-Light 2](https://github.com/usc-imi/aeo-light/releases): Open source optical sound extraction software.
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-[Audacity](http://www.audacityteam.org/): Free open source digital audio workstation. Supports recording and editing of audio.
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-[Audiogrep](https://antiboredom.github.io/audiogrep/): Transcribes audio files and then creates "audio supercuts" based on search phrases. It uses [CMU Pocketsphinx](http://cmusphinx.sourceforge.net/) for speech-to-text and [pydub](http://pydub.com/) to stitch things together.
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-[Audacity](https://www.audacityteam.org/): Free open source digital audio workstation. Supports recording and editing of audio.
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-[Audiogrep](https://antiboredom.github.io/audiogrep/): Transcribes audio files and then creates "audio supercuts" based on search phrases. It uses [CMU Pocketsphinx](https://cmusphinx.github.io/) for speech-to-text and [pydub](https://pydub.com/) to stitch things together.
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-[Aurora](https://github.com/RockefellerArchiveCenter/aurora): Aurora is a Django web application that can receive, virus check and validate transfers of digital archival records, and allows archivists to appraise and accession those records.
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-[BWF MetaEdit](https://mediaarea.net/BWFMetaEdit): Allows the embedding of BWF metadata in WAV files.
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-[ClairMeta](https://github.com/Ymagis/ClairMeta): a python package for Digital Cinema Package (DCP) probing and checking.
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-[Digital Media Log](https://github.com/RockefellerArchiveCenter/dm_log): A Rails app that uses ArchivesSpace's API to quickly inventory digital media items and log disk imaging.
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-[DCP-o-matic](https://dcpomatic.com/): A free, open-source program to create digital cinema packages (DCPs) from videos, images, sound and subtitle files.
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-[ExifTool](http://www.sno.phy.queensu.ca/~phil/exiftool/): A Perl library plus a command-line application for reading, writing and editing meta information in a wide variety of files, with a focus on still image file formats.
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-[ExifTool](https://www.sno.phy.queensu.ca/~phil/exiftool/): A Perl library plus a command-line application for reading, writing and editing meta information in a wide variety of files, with a focus on still image file formats.
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-[forced-alignment-tools](https://github.com/pettarin/forced-alignment-tools): A collection of links and notes on forced alignment tools.
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-[iromlab](https://github.com/KBNLresearch/iromlab): Loader software for automated imaging of optical media with Nimbie disc robot.
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-[TheKeep](https://github.com/emory-libraries/TheKeep): A repository-based Django web application for managing digital surrogates or "masters" of archival (and other) source materials.
-[reel time](https://kfrn.github.io/reel-time/): Tool to calculate the duration of open-reel audio.
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-[Videogrep](https://antiboredom.github.io/videogrep/): Searches through dialog in video files (using .srt subtitle tracks or pocketsphinx transcriptions) and makes supercuts based on what it finds.
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-[vrecord](https://github.com/amiaopensource/vrecord): Open source tool for analog video digitization. Includes a variety of virtual scopes. [Requires](https://github.com/amiaopensource/vrecord/blob/master/Resources/hardware.md) a computer running a recent macOS and Blackmagic hardware.
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-[XLD](http://tmkk.undo.jp/xld/index_e.html): Tool for lossless transcoding of various audio formats. Useful for error free CD ripping.
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-[XLD](https://tmkk.undo.jp/xld/index_e.html): Tool for lossless transcoding of various audio formats. Useful for error free CD ripping.
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## Publications
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-[ARSC Guide](https://www.clir.org/wp-content/uploads/sites/6/pub164.pdf): "The ARSC Guide to Audio Preservation is a practical introduction to caring for and preserving audio collections. It is aimed at individuals and institutions that have recorded sound collections but lack the expertise in one or more areas to preserve them."
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-[Describing Archives: A Content Standard (DACS)](http://files.archivists.org/pubs/DACS2E-2013_v0315.pdf): Guide to DACS, a commonly used set of rules for the description of archival materials.
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- IASA Publications: Comprehensive works by the International Association of Sound and Audiovisual Archives (IASA). [TC-03](http://www.iasa-web.org/tc03/ethics-principles-preservation-strategy) Safeguarding the Audio Heritage: Ethics, Principles and Preservation Strategy, [TC-04](http://www.iasa-web.org/tc04/audio-preservation) Guidelines on the Production and Preservation of Digital Audio Objects, [TC-05](http://www.iasa-web.org/handling-storage-tc05) Handling and Storage of Audio and Video Carriers.
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-[Sound Directions](http://www.dlib.indiana.edu/projects/sounddirections/papersPresent/sd_bp_07.pdf): An overview of audio preservation and digitization workflows developed at Harvard and Indiana University. Includes examples of BWF metadata profiles.
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-[The Video Guide](http://videopreservation.conservation-us.org/vid_guide/index.html): Good primary source for analog video and related technology. Originally published in 1981, permission [was granted by author](http://videopreservation.conservation-us.org/vid_guide/about.html) for free access/distribution.
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- IASA Publications: Comprehensive works by the International Association of Sound and Audiovisual Archives (IASA). [TC-03](https://www.iasa-web.org/tc03/ethics-principles-preservation-strategy) Safeguarding the Audio Heritage: Ethics, Principles and Preservation Strategy, [TC-04](https://www.iasa-web.org/tc04/audio-preservation) Guidelines on the Production and Preservation of Digital Audio Objects, [TC-05](https://www.iasa-web.org/handling-storage-tc05) Handling and Storage of Audio and Video Carriers.
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-[Sound Directions](https://www.dlib.indiana.edu/projects/sounddirections/papersPresent/sd_bp_07.pdf): An overview of audio preservation and digitization workflows developed at Harvard and Indiana University. Includes examples of BWF metadata profiles.
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-[The Video Guide](https://videopreservation.conservation-us.org/vid_guide/index.html): Good primary source for analog video and related technology. Originally published in 1981, permission [was granted by author](https://videopreservation.conservation-us.org/vid_guide/about.html) for free access/distribution.
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-[UC Guidelines for Born-Digital Archival Description](https://github.com/uc-borndigital-ckg/uc-guidelines): A University of California-wide descriptive standard for born-digital archival material.
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## Administrative metadata
@@ -147,9 +147,9 @@ Actions taken in this repository, associated pull requests and issue tracker for
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